Musical self‐fashioning and the ‘theatre of death’ in late Elizabethan and Jacobean England
Identifieur interne : 000001 ( Main/Exploration ); précédent : 000000; suivant : 000002Musical self‐fashioning and the ‘theatre of death’ in late Elizabethan and Jacobean England
Auteurs : Emilie K. M. MurphySource :
- Renaissance Studies [ 0269-1213 ] ; 2016-06.
Abstract
The spectacle of the scaffold and theatre of punishment has received a great deal of attention and revision in recent scholarship. This article adds to the existing body of work on the actions of the condemned and argues that sites of execution were performative spaces, which were adapted and appropriated by English Catholics. This article reveals how martyrs subverted the authority of the state through musical performance and transformed persecution space. Scaffold singing was part of a tradition of martyrological fashioning and emphasizes how the martyrs' legacy was directed by the martyrs themselves as much as their martyrologists. The influence of musical self‐fashioning is visible in multiple performance spaces: in exile, at arraignments, in prisons, and within the households of the English Catholic community. Finally, English Catholics performed the music of martyrs in their households to enhance their devotion, as the scaffold scene was recreated through music in the domestic setting. In this way, the beleaguered Catholic laity memorialized their martyrs with a politically subversive performance, and framed martyrs' final moments with song.
Url:
DOI: 10.1111/rest.12154
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Musical self‐fashioning and the ‘theatre of death’ in late Elizabethan and Jacobean England</title>
<author><name sortKey="Murphy, Emilie K M" sort="Murphy, Emilie K M" uniqKey="Murphy E" first="Emilie K. M." last="Murphy">Emilie K. M. Murphy</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:6E954F419A9187457877F1CC34A8003014117B95</idno>
<date when="2016" year="2016">2016</date>
<idno type="doi">10.1111/rest.12154</idno>
<idno type="url">https://api.istex.fr/ark:/67375/WNG-WZGX45V3-9/fulltext.pdf</idno>
<idno type="wicri:Area/Main/Corpus">000577</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000577</idno>
<idno type="wicri:Area/Main/Curation">000572</idno>
<idno type="wicri:Area/Main/Exploration">000001</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Exploration">000001</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main">Musical self‐fashioning and the ‘theatre of death’ in late Elizabethan and Jacobean England</title>
<author><name sortKey="Murphy, Emilie K M" sort="Murphy, Emilie K M" uniqKey="Murphy E" first="Emilie K. M." last="Murphy">Emilie K. M. Murphy</name>
<affiliation><wicri:noCountry code="no comma">National University of Ireland Galway</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j" type="main">Renaissance Studies</title>
<title level="j" type="alt">RENAISSANCE STUDIES</title>
<idno type="ISSN">0269-1213</idno>
<idno type="eISSN">1477-4658</idno>
<imprint><biblScope unit="vol">30</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="410">410</biblScope>
<biblScope unit="page" to="429">429</biblScope>
<biblScope unit="page-count">20</biblScope>
<date type="published" when="2016-06">2016-06</date>
</imprint>
<idno type="ISSN">0269-1213</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0269-1213</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract">The spectacle of the scaffold and theatre of punishment has received a great deal of attention and revision in recent scholarship. This article adds to the existing body of work on the actions of the condemned and argues that sites of execution were performative spaces, which were adapted and appropriated by English Catholics. This article reveals how martyrs subverted the authority of the state through musical performance and transformed persecution space. Scaffold singing was part of a tradition of martyrological fashioning and emphasizes how the martyrs' legacy was directed by the martyrs themselves as much as their martyrologists. The influence of musical self‐fashioning is visible in multiple performance spaces: in exile, at arraignments, in prisons, and within the households of the English Catholic community. Finally, English Catholics performed the music of martyrs in their households to enhance their devotion, as the scaffold scene was recreated through music in the domestic setting. In this way, the beleaguered Catholic laity memorialized their martyrs with a politically subversive performance, and framed martyrs' final moments with song.</div>
</front>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Murphy, Emilie K M" sort="Murphy, Emilie K M" uniqKey="Murphy E" first="Emilie K. M." last="Murphy">Emilie K. M. Murphy</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/WilliamByrdV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000001 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000001 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= WilliamByrdV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:6E954F419A9187457877F1CC34A8003014117B95 |texte= Musical self‐fashioning and the ‘theatre of death’ in late Elizabethan and Jacobean England }}
This area was generated with Dilib version V0.6.38. |